I attended the premier of the documentary Gasland II at the Community Arts Center
in Williamsport, PA, the bustling heart of frackdom in the state, along with
over 900 others curious to see this latest installment by the man who broke
open the story about the horrors of the shale gas industry three years
ago. I viewed the movie both from my own
perspective as an anti-fracking activist, and from that of my college-age
friend who was only attending the film for extra credit in her sociology class
and had virtually no knowledge about the issues of unconventional drilling for
natural gas. We both agreed that the
movie was riveting and alarming. It was
also successful in its attempt to alert people to the ways in which the shale
gas industry has either colluded with or outright controlled government
policies, regulations and actions toward itself, the citizens damaged by it,
and the activists seeking to halt the onslaught of corporate fascism.
Those who saw the first Gasland
will notice the reuse and revisiting of material from that movie in order to
pick up the thread where Fox left off, and to orient the new viewer to the
complexities of the industrial, social, and economic issues, as well as the
stories of real people negatively affected by drilling. Thus, it is not
necessary to have seen the first movie in order to understand Gasland II; the film works as a
stand-alone piece. One vital piece of
explanation was missing, however, for my friend: why we “need” gas and what it is used for in
the first place. Fox should have
included a minute or two to explain that gas is used in power plants to generate
electricity and in “cracker” plants to produce plastics, all of which are
multi-billion-dollar enterprises. Leaving
out this key bit of information left my friend confused as to why the companies
are leasing and destroying land totaling the size of Florida and California in
the first place.
The images and cinematography are compelling, and sometimes
overwhelming. The juxtaposition of
verdant forests and pristine waterways in Fox’s home state of Pennsylvania
against the fire, metal, noxious gases and clear-cut industrial sites of well
pads and compressor stations is jarring.
At the same time the interviews with families whose water turns to fire,
and whose children frolic and suffer nosebleeds in the shadow of drill rigs are
juxtaposed against dizzying scenes of government hallways, hearings and the
arrest of Fox himself for attempting to legally record a public hearing. The contrast illustrates just how far removed
our government is from the people and lands it is supposed to protect.
As an ecological theologian, I resonated with two ethical
concepts that provided a cohesive framework for the film. First is the notion of the backyard and the neighbor. An effective
camera trick takes the viewer in a bubble floating above and looking down on Fox’s
home while he notes that what has become clear to him is that all of our
backyards are connected. What happens
when his neighbors lease will affect him.
What happens if New York lifts its moratorium affects him.
What happens to the families in Dimock, PA,
whose water is poisoned by migrating fracking fluids and methane is connected
to what happens to families in Pavillion, Wyoming, whose water was tested by
the EPA and found with 50 times the accepted level of benzyne, along with
countless other chemicals and compounds associated only with fracking.
“There’s no such thing as anyone’s backyard
anymore,” Fox concludes. Indeed, as Jesus
challenged the wealthy lawyer on the question, “Who is my neighbor?” we, too, learn
that our neighbors are as close as the Australian farmer watching his dwindling
water supply go up in flames, and as far away as our local legislators who are
either afraid of the industry, or profiting handsomely from their corrupt
collusion with it.
The other framework is that of story and voice. Using the same advertising firms who sowed
seeds of doubt about the safety of cigarettes in the 1960s, the gas industry
has spent millions of dollars to control the story of shale gas.
Property rights have been swept aside, people’s
health has been compromised, and the threat of methane gas adding to climate
change has been ignored. All the while
those families whose homes and health have been destroyed by drilling are
mocked, demonized, or bought off with settlements that require nondisclosure
statements. As one observer in the film
put it, they are told to “Take the money, shut up and go away.” When you take away a person’s ability to tell
their story, you take away their voice, personhood, dignity, sanity and their
life.
So what are we to do?
Fox interviewed former administrator of the EPA Lisa Jackson, who urged
people to be vocal with their legislators.
“The real power is with the people,” she stated. One wonders how she must feel now, knowing
that President Obama has betrayed her commitment to protecting environmental
and public health in this country by kowtowing to the gas industry. I hope that she will view the pictures that
are being taken at every premier on the Gasland
II tour across the country, showing hundreds of people packing theatres
with their hands defiantly in the air, present and accounted for.
Democracy is alive and energized even as we
are labeled as insurgents and terrorists by military psy-ops agents hired by
the industry and government.
As my college-age friend and the rest of the crowd learned
in the Q&A after the show, fractivist grassroots organizations (see Shale Justice) are
sprouting up around the country made up of veterans, college professors, former
gas workers, Tea-Partiers, clergy, retirees, small business owners, scientists,
ecologists, Democrats, Republicans, libertarians, and parents all committed to
stopping the shale gas industry onslaught and hastening a clean-energy future. These
are my neighbors. These are our
stories. Thanks to Fox’s film, these
neighbors and these voices will gain greater audience, and the movement will gain
strength and momentum.
An accurate and thorough review of this powerful documentary. I hope many folks will make an effort to see the film when it airs on HBO, beginning July 8th.
ReplyDeleteStory & Neighbors - this is the fundamental truth of ecology - there is but one story and we all share in it. Our cultural artifice obscures it but the science of ecology, in a profound bit of circular recursive irony, uses our own reductionist tools to expose it. Nothing stands alone, all is connected, and there is "no free lunch". The system is the story of neighbors traveling together. No one traveler should step out ahead and, for god's sake, please avoid tripping up and killing everyone else by moving in the wrong direction. Got that oil & gas companies!
ReplyDeleteThe Madman